An overdue review, but better late than never. (Although in medicine, late often makes never. But I’m getting distracted.) Having read Ahdieh’s last duology, I was justifiably wary about this one. Like most Young Adult books, the blurb of Flame in the Mist had to spotlight a romance, and romance is definitely not Ahdieh’s forte. Compound that with the incomprehensible fact that the most successful ‘feudal Japan-inspired’ series amongst English readers is still the quasi-Asian mess that was Across the Nightingale Floor, and you have quite a sceptic. (Going on another tangent, every single one of the most popular books set in feudal Japan was written by a Caucasian author.)
What ultimately encouraged me to buy the book was her evident meticulous research for The Wrath and the Dawn. She may be Middle Eastern, but the language, tone and smallest details demonstrated an impressive understanding of a region that preceded modern Persia by more than twelve centuries. And thankfully, besides minor descriptions that were a touch absurd (really not sure how varnish can ever smell like Dragon’s Beard candy), Flame in the Mist was also nowhere near Rubinstein’s gross appropriation.
Flame in the Mist was a large improvement on The Wrath and the Dawn in almost all aspects. But most of all, in the romance – or lack thereof. Yes, Mariko does fall into another nonsensical amour (an Ahdieh signature). Yes, it was ridiculously abrupt. Yes, there were no conceivable reasons behind Okami’s attraction towards her. But this was all much more forgivable because it was forced into existence only in the final quarter of the book, and remained relegated to the sidelines. What is Ahdieh’s forte is subterfuge, and the ceaselessly twisting, ruthless palace politics were fortunately in the limelight this time around.
I have no idea what is up the crown prince’s golden silk sleeves. Or the consort’s. Or the elder prince’s. I am still not even sure what the emperor’s agenda actually is. Nothing good, for sure. But beneath the appearances the characters are so adept at crafting, the loyalties are divided between many more than two sides. Sure, a lot of Ahdieh’s tricks have long been hallmarks of East Asian period dramas. But I personally have yet to find another English Young Adult novel capturing the tensions so well. The Wrath and the Dawn was no original tale either (in fact, it was much closer to a poorly disguised khoresh of clichés), but Ahdieh does have a knack for recreating worlds too often dressed in garish kitsch and scanty knowledge.
Like Shahrzad’s entirely absent ‘allure’, for the first half, Mariko’s alleged strategic quick thinking was also just a lot of tell without any show. Her choice to cross-dress and hunt down her attempted murderers was based on tenuous logic (I suppose Ahdieh had to get her to the Black Clan somehow), rather than shrewd judgement. She also made some pretty stupid decisions more frequently than one would expect; she saved the leader of the aforementioned murderers, even though all she was wanting was him dead. Now, the classic ‘calculated reason’ would have been because she wanted to torture his employer out of him first, or just to torture him, finis. But no. She did not show that foresight either. I can only say how glad I was when she realised her own naïveté and ineptitude once she had to ‘play with the big boys’, so to speak.
Anyhow, Flame in the Mist is one of the very few well-researched non-European historical fantasies I have read. For that alone, I was impressed enough to give this three stars. For the relatively complex and incalculable plot, I bumped it up to four. Highly recommended holiday read – quick, light and so much more engaging than the typical Californian beachside summer flick.
Favourite quotes: “To me, you are magic.”
“I’ve never been angry to have been born a woman. There have been times I’ve been angry at how the world treats us, but I see being a woman as a challenge I must fight. Like being born under a stormy sky. Some people are lucky enough to be born on a bright summer’s day. Maybe we were born under clouds. No wind. No rain. Just a mountain of clouds we must climb each morning so that we may see the sun.”