“What I am thinking of is the man of imagination and science, whose courage is infinite because his curiosity surpasses his courage. Nothing will keep him back.”
I admit, genius though he is, this is my first work by Vladimir Vladimirovich Nabokov. After reading these three exquisitely-wrought stories – all from his Dozen and Collected Stories and each depicting obsessions of very different natures – I can only remark how unfair it is that Nabokov can write so expressively in both Russian and English. I, on the other hand, can barely read my ‘mother tongue’.
The Aurelian: ⭐️⭐️⭐️
Ah yes, the grim Russian short. I’m not sure I have read a single sunny story by a modern Russian writer. Either way, in The Aurelian, Nabokov (an aurelian himself, by the way) captured perfectly the damp, dark, dusty depths of middle-aged despair, for wide is the gate and broad is the road that leads to the purgatory of unrealised youthful ambitions. A truly uplifting tale.
Signs and Symbols: ⭐️⭐️⭐️⭐️⭐️
Upon first finishing this, I confess I was confused. What even was the point? But as I fruitlessly pondered and pondered again the descriptions of this and that offhandedly mentioned detail, I realised what a dull-witted fool I was. In our visceral desire to analyse and assign meaning, are we not, like the son, caught up in mild “referential mania” ourselves? And so, Nabokov sits back and says, checkmate.
“Everything is a cipher and of everything he is the theme.”
Sheer, unbridled brilliance: his hallmark wordplay and wit were poured so viscously into this titular short story, it took some effort to slop through. While it did get rather pompous towards the end, this science-fiction satire of science fiction was still a dazzling display of literary dexterity.
“The clichés are, of course, disguised; essentially, they are the same throughout all cheap reading matter, whether it spans the universe or the living room. They are like those ‘assorted’ cookies that differ from one another only in shape and shade.”