When I found this collection of magical realism vignettes, I was certain that I would love it like I did Like Water for Chocolate and The Strange and Beautiful Sorrows of Ava Lavender. Instead, the thirteen short stories left me wanting – though for exactly what, I cannot articulate. Coming of age, parental relationships, death and feeling trapped were recurring themes, and Anne Valente explores them with an abundance of symbolism. But I was often left wondering what it is that she actually wants to evoke with the sometimes bizarre supernatural elements.
We have girls turning into bears in Dear Amelia, and while I appreciated the ideas of indignant hope, of shame and loneliness, of fighting against the inevitable, the final message of burrowing into dens and ignoring it all failed to strike any emotional chord. On the other hand, To a Place Where We Take Flight and Terrible Angels had poignant passages, but were otherwise unremarkable. The plot developments were not particularly original, nor were the perspectives presented by the protagonists. In fact, much of the book was similarly unmemorable, beyond the persistent irritation half the characters seemed to ignite in me. Continue reading “By Light We Knew Our Names”