Thanks to the author for providing me with an advance reading copy in exchange for an honest review. For my full review request policy, please click here.
“Don’t look like you’re going to cry all the time. Tears are one of their favourite drinks around here.”
I liked the second half decidedly more than the first; it was difficult believing both were written by the same person. But first,
coffee some general observations: Gold Shadow promised diversity, and it delivered – superlatively. Some uninspired introductions were a little on the nose, unlike the easy assembly of Kaz Brekker’s criminal crew. But it never crossed into tokenism, and once the North American setting was revealed, it lost its studied air.
Imagine if Black Mirror’s Nanette Cole had yelled at Robert Daly, “You think you’re the misunderstood nerd, but you’re just another sick, entitled white guy who can only feel masculine behind a computer screen!” The first half of Gold Shadow would have been the expository equivalent. In fact, it may as well have been one grand explanation, with a side of sudden jumps into minor characters’ points of views, as if the protagonists’ running commentaries were not explicit enough. Besides, for a character whose whole life had been eked out in the same hellhole, the dutifully described details would have long been taken for granted. An especially exasperating scene saw another character explaining the types of slaves to an escaped slave.*
Having said that, getting through the first half was not hard; the plot was intriguing enough. It just could have been a much more full-bodied blend of form and function, given how much better the second half already was.
Ah, the second half. We were finally allowed some actual action, and Perry likewise progressed to more polished prose. Her writing showed such articulate restraint, I almost forgot my prior frustration. I especially enjoyed experiencing Ebony’s world through her enemy’s eyes – after all, this enemy was not privy to any information, so she had no explanations to lavish on us. No, she had to deduce, as we should have been allowed to deduce.
Without the crutch of clarifications, character development also flourished. The main cast was finally dressed with flesh beneath their stereotypical façades: the strong and silent one, the broken beauty, the outwardly cold but secretly soft-hearted leader… A few characterisations had come off as contrived in the beginning (Ebony’s soulless survivor persona, for example; the self-evident declarations of emotional detachment did not help), but Perry’s better bridled hand ended up convincing me to unreservedly, unconditionally invest my (rather delicate) emotions in the entire cast – the ‘good’ and the inane alike.
Another reason Perry is a babe is the blessèd absence of romance. I do like my realistic romances, which I think add some welcome hope and lightness and angst and pathos to high-stakes and action-packed plots. Amongst these characters however, the mildest insinuation of that kind of emotional intimacy would have been a blue whale out of water. So thank goodness for Perry’s wisdom here – a virtue that is sadly absent in worryingly many recent and raved-about young adult releases.
Ironically, the few instances of additional world-building in the second half were also far more effective than all the descriptions in the first half combined. There were still some details missing that would have helped me care more about the characters’ country. I have yet to grasp just how advanced the technology has become, or what the general populace think or know or want. But since Perry concentrated on crafting the slave cities and the rebellion in this first book, it was understandable.
All this to say, I look forward to reading the second book. The ending of this one was tantalising, to say the least. And if the second half was anything to go by, I am sure the next instalment will have writing deserving of a place in young adult bestseller displays.
“Being early meant being on time. Being on time meant being late. But being late was unacceptable.”
And may it be published early, then.
Favourite quote: This may be my new favourite dedication: “To all those aspiring writers who dream first and sleep later.”
*Show, for heavens’ sake, don’t tell! seems to be my personal Peeves. A small selection of books that give their readers proper credit: A Darker Shade of Magic (its sequels, not so much), The Bear and the Nightingale, Caraval, The City of Brass, Daughter of Smoke and Bone, How to Live Forever (the novel), The Night Circus, and of course, the ever beloved Harry Potter.
“If a writer knows enough about what he is writing about, he may omit things that he knows and the reader, if the writer is writing truly enough, will have a feeling of those things as strongly as though the writer had stated them.
The dignity of movement of an iceberg is due to only one-eighth of it being above water.” – Ernest Hemingway